Something went wrong. Frequency response: 20Hz - 10kHz. Sensitivity: -48.5dBV/Pa, 3.8mV. For additional information, see the Global Shipping Programme, Shure 520 'Green Bullet' Harmonica Microphone, SHURE SM58 SM58S Mikrofon Dynamic Microphone (S version with switch), Phantom Power Adaptor For Shure Microphone ( TA4F 4pin Mini XLR To XLR Male ), YELLOW 10.5” NAB Hub adapters Pioneer Teac Tascam Akai PP-220A 1 pair, beige headset mic microphone for shure wireless system beige color TA4F mini, Shure SV100 Cardioid Dynamic Vocal Microphone, Shure SM57 Handheld Dynamic Vocal & Instrument Microphone, Shure SM7B Cardioid Dynamic Vocal Studio Recording Microphone, Shure Prologue 14L LO Z Dynamic Microphone Black, Music Spectrum Display Division 17-Level Single Dual Channel For 12-18V Amp #SZ, Pro Lavalier Clip -on Microphone for Shure Wireless Microphone Mic System, Vintage Shure 330 Unitron/Uni-Ron unidirectional ribbon microphone Strong Output, Vintage Shure Model 578 Omnidyne Dynamic Microphone NOS, Vintage Shure Model 545 Unidyne III Dynamic Microphone NOS, Vintage Shure Model 545S Unidyne III Dynamic Microphone NOS, An item that has been previously used. Weight: 275g. {"modules":["unloadOptimization","bandwidthDetection"],"unloadOptimization":{"browsers":{"Firefox":true,"Chrome":true}},"bandwidthDetection":{"url":"https://ir.ebaystatic.com/cr/v/c1/thirtysevens.jpg","maxViews":4,"imgSize":37,"expiry":300000,"timeout":250}}. Applications: 'Best suited to : vocals. PGA52 has been designed for use bass instrument applications such as kick drum or bass cab. Frequency response: 50Hz - 16kHz. Can also be found as part of the PGADRUMKIT6 package. This selection of instrument microphones ranges from the PG Alta (PGA) family delivering 'rock-solid sound and reliability that sets the bar for accessible, professional-calibre gear for performance and recording', through the legendary SM series microphones which have 'come to define the sound of live performance', the Beta series, 'microphones for demanding environments', 'renowned for their warmth, presence and sensitivity to fine detail', and the Classic series, a set of 'iconic microphones that feature elegant, renowned product design with Shure sound quality'. Frequency response: 20Hz - 20kHz. Networked array microphones: versatile and elegant AV conferencing solutions that discreetly and precisely capture the richness of the human voice. Sensitivity: -55dBV/Pa, 1.75mV. Shure Model 520 was released in 1949 as a two-way radio microphone, but the mic affectionately dubbed the “Green Bullet” soon became the go-to solution for blues harp players. Sensitivity: -48.5dBV/Pa, 3.8mV. The Neodymium magnet inside the Beta 57a also allows a high signal-to-noise ratio output. SM94 has been designed to give a flat response with ‘minimum colouration’ for instruments including strings, cymbals, and woodwind. Weight: 287g. This is a bruiser of a harmonica mic. Requires 12-48V phantom power. A lockable attenuator allows the switching between 0dB and 10dB for miking up louder sources. I have an Alesis MultiMix 4 Mixer that allows for four 1/4 and two XLR Inputs. Shure Wireless Sound Isolating Earphones block distractions with a comfortable, secure fit to keep music in your ears and puts rhythm in your routine. it won't make you play like Sonny Boy Williamson, Little Walter, Blind Lemon Chitlins (I made that one up), or Robert Plant, but it can make you sound a whole lot better. Output impedance: 150ohms. WB98H/C includes: Windscreen, 1.6m ‘high-flex’ cable, and zippered bag. Supplied with an A25D swivel adapter but no cable. SHURE 520DX - Green Bullet SHURE 520DX „Green Bullet“ je dynamický mikrofon určený pro snímání foukací harmoniky. This item will be sent through the Global Shipping Programme and includes international tracking. All it has is the 1/4. For additional information, see the Global Shipping Programme, This amount includes applicable customs duties, taxes, brokerage and other fees. Frequency response: 50Hz - 15kHz. The half-cardioid pickup pattern allows for maximum gain before reaching feedback whilst giving a good level of rejection. Designed for snare and tom miking, along with other close miking applications such as guitar amplifier cabinets, Beta 56a has an integrated locking microphone stand adapter with 3-pin XLR termination allows easy positioning and connectivity. The included drum mount allows the user to mount the microphone directly to the rim of the drum whilst the swivel joint – similar to that found on a quick release bicycle wheel – allows fast and easy positioning. BETA 98D/S has the same properties as the BETA 98/S however it includes the A98D drum rim mount. PGA81 requires +48V phantom power. UK Sales: 0191 418 1122         International: +44 191 418 1133. Output impedance: 100ohms. With some help from legendary blues artists Sugar Blue and Nigel Mack, Shure Corporate Historian Michael Pettersen traces the enduring legacy of the Green Bullet, including its comeback from extinction. Output impedance: 310ohms. Stories from the Shure Archives: The Green Bullet Harmonica Microphone, Map data © 2020 GeoBasis-DE/BKG (©2009), Google, Inst. PGA81 has been designed for use with overhead drum or hi-hat applications. Beta 57a has been designed for kick drum miking application, however it is also a useful microphone for piano and boundary miking where low frequencies are produced. Mic is in working condition with significant handling wear including scratches and fading of … The Bullet does not have the XLR connection on the mic. Designed for snare, brass, guitar amps, and acoustic guitar, although often preferred as a vocal microphone, Beta 57a allows high gain before feedback whilst retaining isolation from nearby sound sources. Frequency response: 100Hz - 5kHz. Weight: 284g. Dynamic capsule. Output impedance: 200ohms. Sensitivity: -51dBV/Pa, 2.8mV. Sensitivity: -45dBV/Pa, 5.6mV. SHURE PGA56-XLR MICROPHONE Instrument, cardioid, dynamic, for snare or tom, inc XLR lead and mount, SHURE PGA57-XLR MICROPHONE Instrument, cardioid, dynamic, for snare or brass, inc XLR lead, SHURE PGA81-XLR MICROPHONE Instrument, cardioid, condenser, for overhead, inc XLR lead, SHURE PGA52-XLR MICROPHONE Instrument, cardioid, dynamic, for kick drum, inc XLR lead, SHURE SM57-LCE MICROPHONE Instrument/vocal, cardioid, dynamic, for snare/guitar cab/brass, SHURE SM81-LC MICROPHONE Instrument, cardioid, condenser, for piano/acoustic guitar/cymbals, SHURE SM94-LC MICROPHONE Instrument, uniform cardioid, condenser, for strings/cymbals/woodwind, SHURE BETA 52A MICROPHONE Instrument, supercardioid, dynamic, for kick drum/bass amplification, SHURE BETA 56A MICROPHONE Instrument, supercardioid, dynamic, for snare/tom/guitar cab, SHURE BETA 57A MICROPHONE Instrument/vocal, supercardioid, dynamic, for snare/brass/guitar cab, SHURE BETA 91A MICROPHONE Instrument, half cardioid, condenser, low profile, for kick drum/boundary, SHURE BETA 98S MICROPHONE Instrument, supercardioid, condenser, miniature, for percussion/wind/piano, SHURE BETA 98H/C MICROPHONE Instrument, supercardioid, condenser, for strings/wind/piano, with clip, SHURE BETA 98D/S MICROPHONE Instrument, supercardioid, condenser, for drums/percussion, with clamp, SHURE WB98H/C MICROPHONE Instrument, supercardioid, condenser, for brass/strings, with clip, TA4F, SHURE 545SD MICROPHONE Handheld vocal dynamic, cardioid, with switch, SHURE 520DX GREEN BULLET MICROPHONE Instrument, omnidirectional, dynamic, for harmonica, SHURE PGADRUMKIT4 MICROPHONE SET Drum set, 2x PGA56, 1x PGA57, 1x PGA52, case, includes cables, SHURE PGADRUMKIT6 MICROPHONE SET Drum set, 2x PGA56, 1x PGA57, 1x PGA52, 2x PGA81, case, inc cables, SHURE DMK 57-52 MICROPHONE SET Drum set, 3x SM57, 1x BETA52, 3x A56D, case.

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